![]() Also carried over from Deathconsciousness is a great sense of unity, a feeling that these four songs are meant to go together to create something greater than their parts, though it’s hard to see if that’s anything but a Deathconsciousness cliff notes. ![]() ![]() The slow burning, reverb drenched loneliness that defines Deathconsciousness also defines Time of Land. If these aspects of Deathconsciousness didn’t appeal to you, turn back now, because on a surface level, Have A Nice Life’s aesthetic isn’t really all that drastically altered here in fact it’s very much intact. Or that one drum beat, the one where the bass hits sound like grinding gears in a machine and the snare hits the exhaust pipe? Because those are here too. I mean, it’s not like you’re going to listen to it if you haven’t already listened to Deathconsciousness (and if you were thinking about pulling that bullshi t, you can just stop it right now), and Time of Land more or less captures the essence of Deathconsciousness without the stand back holy fu ck moments that made that album a vital discovery in 2008.ĭid you not mind the extensive ambient exercises that repeatedly sedated an already sedate album? Because those are here on Time of Land. This is pretty much the essential question going into Time of Land. So, how much did you like Deathconsciousness? Review Summary: Deathconsciousness cliff notes
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